Goodbye, Wee Folk Art

When my husband and I decided to homeschool our daughter, we spent a significant amount of time meditating on the theories and philosophies behind the various popular home education methods. Charlotte Mason? Waldorf? Montessori? Classical? Unschooling? Traditional? The list goes on and on. We read books, made many lists, and decided that unschooling would suit our precocious preschooler’s curiosities, our lifestyle, and our beliefs about childhood development and education.

In my mind’s eye, I envisioned taking walks together, seeing our daughter notice a funny bug or a leaf and asking questions. I blissfully imagined diving into the library to find out the answers and then to be carried away on a tangent. I pictured us making messes and creating together without boundaries or rules. Without a map.

orange shoes

But when I told my daughter that she was now in preschool and that her preschool was whatever she wanted it to be, she was unimpressed. “I want to see,” she said in her small voice.

So I began researching “preschool homeschool curriculum” which I promise you is not a fun search as much as it is heart-withering. Much of the homeschool curricula that surfaces on the internet reads something like this:

  • 15 minutes coloring book
  • 15 minutes lacing cards
  • 2 times singing the alphabet
  • Snack
  • Read stories
  • Counting

The idea of making my own active child sit still for “15 minutes of lacing cards” was more than I could bear.

I reached out to Facebook for suggestions and was finally pointed toward a curriculum that was described as “gentle and Waldorf inspired” by several people. It seemed like another dead end, but I looked anyway.

What I found was not a rigid, sedentary schedule, but a seasonally thematic recipe for a rhythm-focused preschool or kindergarten experience. Wee Folk Art, by Kimera Wise and her daughter Michelle Bonney, is a multifaceted endeavor involving crafting patterns for homemade delights and a beautiful set of home school curricula.

Simple Seasons is a four-part collection of seasonal curricula that can be used for preschool or kindergarten (or even 1st grade if you add on to it). All four parts are short PDFs of 12 or so pages, all in color, all organized intuitively and clearly. And all of them are available for free (if you don’t mind some out-of-print books), or for $6 a pop with updated books. I purchased all four pieces, for $24 which seemed like a deal considering we would use them for two years.

So, when I handed my daughter the binder and watched as her small hands turned the pages, I was mesmerized. Her whole being seemed to light up, her eyes grew brighter, and she said “Are we going to do all these things?” Yes, I answered her, and she gave me a hug, her little arms wrapping around my hips tightly.

There is power in this curriculum, I thought.

Each Simple Seasons curriculum has an introduction with explanations, schedule suggestions, and optional directions. Each has a chart that outlines the Primary Story (a picture book), A “Digging Deeper” book (a nonfiction picture book related to the primary story that covers a science or math concept or a historical person or event), a matching project (science, math, art, or a combination), occasional field trip suggestions, and a letter of the alphabet to focus on.

The books that are used in Simple Seasons have been, for the most part, found right at our local library. Some we have purchased, and almost all were purchased used. The art supplies have been easy to find and mostly inexpensive.

Developmentally, children in their preschool years often benefit from learning about the world that they are directly seeing and experiencing. This is the world they have questions about, and this is what they want to explore. Thus, a seasonally focused list of books and projects was meaningful to my learner.  This does not mean she never had other interests. Once we spent a month learning about lighthouses because she asked. She has never stopped learning about dinosaurs. We spent two months on the Middle Ages during the winter, and that interest continues as well. Simple Seasons is broad enough to offer freedom, and the schedule is wide-open for you to customize to your family’s own needs. With just two books and a project or three, we had plenty of time to dive in to myriad other interests, and yet the Wee Folk Art books were always pulled off the shelf frequently to read aloud.

There are three poems that are suggested for memorization for each 12 week quarter. They include classics like “Little Boy Blue” (traditional), “Stopping by Woods on a Snowy Evening” (Robert Frost), and “The Caterpillar” (Christina G. Rosetti). My daughter really enjoyed listening to and memorizing these poems the first year, but she did not do the same poems again her second year because she still remembered everything she learned. We supplemented by adding a daily “morning verse” her second year, and adding a weekly Poetry Tea Time á la Brave Writer.

In addition to the poem, there is a suggested weekly narration, which we opted to complete. Once a week, we would sit down together somewhere (table, outside, couch, floor) and my daughter would tell me what happens in the primary story, and I would write down her words verbatim. If she wanted, she would draw a picture. This was the only piece of “work” she would do. The rest of preschool was reading, exploring, playing, singing, and working on skills at her own pace and fueled by her own interest. Thus, Simple Seasons really hit that sweet spot for preschool where we could find freedom within a larger structure.

 

 

A Closer Look at Each Season

Harvest Time, which is where we began, looks at Autumn phenomena and holidays typical to the east coast of the United States. It would work well in any part of the world if you are curious about leaves that change color, the transition from summer to fall, tractors, pumpkins and apples. Of course, nothing is ever perfect and we did need to make some changes for our family and our beliefs. Wee Folk Art is written by a Christian family, and while it is mostly a secular offering, there were a few things that needed to be adapted for our secular home school experience. In Harvest Time, the poem “Johnny Apple Seed” references God throughout. Changing the word “God” to “Earth”, however, easily fixed this problem. Indeed, the poem is richer and more beautiful with this change.

We loved looking at Leaf Man by Lois Ehlert, and we enjoyed making leaf people of our own with an iron and wax paper. The pumpkin muffin recipe she includes in curriculum is delicious and has become a tradition for the autumn.

leaves
Leaf Art, 2017

The problem with Harvest Time, in my opinion, was the white washed view of Thanksgiving that is presented in the texts suggested for that week. We disregarded those entirely, and used books that represented the Native American people—hopefully—with more agency, compassion, and truth. We used Giving Thanks: A Native American Good Morning Message by Chief Jake Swamp, The Very First Americans by Cara Ashrobe, and Squanto’s Journey: The Story of the Very First Thanksgiving by Joseph Bruchac. Instead of making turkey place mats, we made food to share with our family on Thanksgiving.

Winter Wonderland, in Vermont, starts off just as the name suggests. Yay! Snow! We looked at snow crystals with a magnifying glass and learned about how it all happens. We read about bears, about hibernation, and making snowmen.  Sometime after week four, my daughter (and I) lost steam both years. I don’t necessarily think this is a Simple Seasons issue, so much as a Vermont issue. Winters are LONG. We are COLD. Both years we ditched this at different points and explored other interests. The first year was a mash-up of various things my daughter was curious about, and the second year was a structured Prehistory (dinosaur and cave person) unit that she was passionate about.

Winter wonderland features several projects that we loved and used, though. We spent a week studying Ireland and exploring my daughter’s Irish heritage each year (adding step-dancing performances to the field trips and baking soda bread), and we spent more than a week learning about maple syrup (we live in Vermont after all!) Winter Wonderland includes several holidays with saints, and we did not read those books, as I could not find options that were objective on the topic. We still celebrated Valentine’s day by making cards for friends, and the Jan Brett/Eve Bunting book suggested in the curriculum is both beautiful and humorous.

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Spring B’s is the most elegant, well-organized and engaging of the Simple Seasons units. It begins with Aesop’s fables for literature and birds for science. Making and painting clay birds is a favorite project, and one will continue to do for many years to come. My child loved comparing her bird this year to her bird last year and seeing how much her modeling skills had improved. (In fact, she loved the ability to compare her narrations and her projects to see how she had grown.) After three weeks of bird study, the curriculum moves to two weeks of bunnies, three weeks of gardens and plants, two weeks of bees, and two weeks of butterflies. There is a distinct lack of Christian influences in Spring B’s, and most of the books are wonderful and easy to acquire. The one exception being What Makes a Bird a Bird which is out-of-print and difficult to find. The other book to take note of is The Very Hungry Caterpillar by Eric Carle. Although this book is a classic, it is completely scientifically inaccurate (butterfly larva do not spin cocoons!). I would recommend looking at your local library for books about butterflies. There are so many.

Puddles and Ponds, where my daughter is right now, is the summer (and for her the last) quarter of Simple Seasons. We are spending time observing the weather (as I write this she is standing on the sheltered porch witnessing a heavy downpour with her father). We have been looking at tadpoles and frogs, watching the milkweed grow taller and checking for monarch eggs—like many families we spend the summer raising and releasing monarchs—and gardening. Puddles and Ponds is the low-key, relevant, and enjoyable ending to our academic year. Learning about thunder and lightning has made her unafraid of storms, while also teaching her storm safety. She knows where to look for a rainbow in the sky, and why clouds get so dark before it rains. At the local science museum, she impressed the staff with her knowledge of turtles, and feels comfortable getting muddy and asking questions. In the end, this is the preschool experience I wanted for her. She had a map, but no set pathway. She forged her own way through her preschool years, using the books and projects both as jumping off places and immersive opportunities.

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Because of Wee Folk Art, my daughter had a truly magical, nature-based, mostly outdoor preschool life. She would wake up in the morning excited to do school and pull the binder off the shelf. She would show her family and friends what she was working on, and still loves flipping through her past narrations and art projects. Her ability to summarize and pull together a cohesive account of an event or story is remarkable, and has been useful on more than one occasion. I believe the weekly narrations she completed helped hone this skill, and will continue to help her as she grows her writing and summarizing in kindergarten. If anyone knows me, they know I cannot stand busy work for children (or anyone), and this program does not have anything that would count as such.

alice in the woods

I have considered, probably a million times, continuing with Simple Seasons for one more year and adding in more math and science. But I know in my heart that this would not serve my daughter, and she needs to continue her journey with a different program. Using curricula does not mean a rigid or traditional schedule. It could for some, but for us it means opportunities, ideas, options, and inspiration. She is looking forward to beginning Blossom & Root Year One in September, and I am thrilled to be able to see where it takes her.

 

 

The 13-Month Socks

Today while writing another blog post, I found this piece written and ready to go. So this is the 5-year blog post about the 13-month socks.



I started knitting a pair of socks in February of 2014. They sit before me, now at the beginning of April, 2015, finished. Usually, it takes me about a month—maybe two—to finish a pair.

The yarn was purchased at half price from Webs when my husband drove me  an hour and forty-five minutes each way so that I could spend more money than I ought to have on hand-dyed yarn.

   This particular skein of pale green was hanging in the clearance section in the warehouse. It was named “Pond Scum” by Blue Moon Fiber Arts. The yarn had a bounce to it. The soft green color shimmered. The plies were spun together tightly and it felt warm and soft. I knew this was going to make a great pair of socks. Continue reading “The 13-Month Socks”

This Flashlight Needs Batteries: A Review of Torchlight Kindergarten

The Excitement Builds

Even as a new homeschooling parent, I see the buzz and excitement a new and promising curriculum begins to stir in the hive of the online homeschooling community. I can only speak for myself, but it seemed to me that there were few options for secular literature-based curricula that sparked the imagination, taught empathy, and most importantly: taught about culture in a sensitive and non appropriative manner.

Torchlight, a secular curriculum that currently ends after second grade, promises to be “eclectic” and will help you “weave learning into your life” with things like “car-schooling” (listening to an audio book in your car), and to include bedtime stories as part of this on-going homeschooling lifestyle.

I read all this from the website, and thought “This sounds awesome! Lists of quality audio books, lists of suggested bedtime stories that match what my child is learning, and it uses Socratic questioning! Perfect!” And so I bought Level K: Worldly Wisdom for my 4-year-old.

Books

The books are great for the most part. The Greetings from Somewhere series by Harper Paris are solid introductions to various countries around the world. I particularly like that the characters are home schooled, which is not usual for kids books—especially these early chapter books. The writing is fairly good, and the twin protagonists help someone in each country. Goodnight Stories for Rebel Girls is also fantastic, and my child loves these page-long introductions to women that have changed the world. We have both learned so much about women that we had never heard of before! However, I think it is important to note that these stories might be difficult (in terms of vocabulary, context, and content), for some 4-6-year-old children. We also love the Atlas of Animal Adventures because it has so much information organized in a clear and aesthetically pleasing manner. Some of the texts in Worldly Wisdom even ended up on my list of books for teaching positivity. In fact, maybe utilizing the book list (available free from the website) would be a helpful resource for creating your OWN curriculum!

Because if you want quality, cohesive, sensible materials, this is not it.

In Worldly Wisdom, literature studies begin with the Mercy Watson series by Kate DiCamillo. These books are written in a simple repetitive manner appropriate for the preschool listener, or maybe as an early reader. The plots are simple, uninteresting, and offer no conversation starters beyond how much butter we would like on our toast. It is possible that the author of the program wanted an easy, fun introduction to literature and thus she chose Mercy Watson. Even if this is the case, the books are simply too easy. If your child can understand Goodnight Stories for Rebel Girls, then Mercy Watson is not going to fly—especially since she wanted the Learning Partner to read a couple chapters at a time. In the Torchlight Kindergarten program, they are presented as a read-aloud literature study.  We skipped these altogether and read seasonal books instead.

How is the Program Set up?

The books are all listed near the beginning of the 231 page PDF, but they are not listed in week order, which is difficult for planning purposes, nor do they have the authors listed next to the titles, which has also complicated matters (There is more than one book named Ivy, for instance). The table of contents does not list the countries that each week focuses on, so unless you write them all out, you won’t be able to see them all together and how they match up (or do not).

Science

The Worldly Wisdom curriculum uses a science program called Be Naturally Curious (you get a 60% discount when you purchase Worldly Wisdom), and a curated collection of books—mostly the Zoey and Sassafras series by Asia Citro. These are both amazing materials for teaching and learning science at the kindergarten level. Be Naturally Curious (BNC) is thoughtfully crafted, accessible, and fun. My daughter still plays a game from the butterfly unit 6 months later. The Zoey and Sassafras books are wonderful. They are funny, well-written, and have simple experiments that can be easily emulated in the home with accessible supplies. So is there an issue here? Unfortunately, the issue, again, is with the organization of the materials and not materials themselves. For example, units by Be Naturally Curious are placed in the curriculum at varying weeks, but only a few activities of each unit is used, and each unit is only scheduled for one week. When I used the Butterfly unit with my daughter, we spent a month on it, and used every single activity. The BNC units have plenty of content in them to take up as much time as you would like for your child. It is so confusing that the Torchlight creator schedules them for only a few days each, and leaves so many activities out. Again, the units are not placed in any kind of order or in any holistic relationship with the other material: they are placed seemingly at random, thus it is hard to take the science seriously, or approach it with confidence because there are so many questions and unknowns about the structure of the program as a whole.

The program: Organization and Confusion

There are several “spines” (books you return to over and over again), and the rest are read just once (or however many times, but that is up to your family).

Each week the child and their “learning partner” explore a different country. I really like the term “learning partner” because it doesn’t make sense to always assume the person teaching the child is the parent, and it is more like a partnership in my mind. Continuing on: for each country there are these items to explore from the spines: a style of house, a folktale, an important woman, and a dish to cook. Then there are various other books that teach about that country, and maybe a project. In poetry and literature, there are totally separate and non-integrated readings, non-integrated science, and non-integrated “building character” studies which is sort of like mindfulness activities and readings. There are also “Music” studies, which is listening to audiobooks about famous classical composers of the western world.

What becomes confusing is that the countries and/or continents are not presented in any meaningful order. For example: on Week 4, we go to Norway then on Week 5 we are in India, Week 6: Brazil, and on week 7: India again. The reason for this continent hopping and revisiting was to keep the child engaged, but it seemed more likely to cause confusion (Why are we studying India again? Didn’t we do that already?). Then there is the baffling week of studying “Africa” (I thought we were studying countries. Africa is HUGE and diverse. It seems like white-washing to study Africa in one week, but there is a week each of South Africa, Kenya, and Nigera. I could keep writing about the confusing way the countries are laid out (why is there a week of Norway and then a week of Scandinavia?), but I think the point is made: it’s disjointed.

There are more troubling and important things to discuss, such as the poorly researched studies of the Indigenous Peoples of North America. I love that the author has a week each of Iroquois, Choctaw, Inuit, and Mayan cultures, but it was slightly confusing to my child because she thought she was studying countries, and then we switched to tribes without any warning. I was happy to teach this, so we looked up tribal areas in order to create some kind of sense and connection to place. It would have been helpful if the author had included maps for this. The biggest problem, however, was that the materials did not make any sense. For example, during the week my daughter was studying the Choctaw, she was told to read The Rough Faced Girl which is a beautifully told and illustrated folktale of the Algonquin people. The Choctaw people are located to the southeast of the United States, and the Algonquian are located in the Northern parts of North America (like Canada). The famous woman she was to read about was Lozen, an Apache warrior. The animal was the sea lion, which is obviously not an animal an Indigenous person of the North American plains would encounter. It is a good thing that I had checked and read everything beforehand and could find my own materials.

And this is the thing: the materials exist. There are books about the Choctaw tribe such as The Cloud Artist By Sherri Maret, who is, in fact, Choctaw. Not only that, but she provides wonderful lesson plans and project ideas on her website all for for free.

The Excitement Turns to Frustration

At this point in the story of Worldly Wisdom, I was spending hours every week rewriting the curriculum and pre-reading everything so that I wasn’t suddenly teaching about African Island Nations in the middle of learning about England (yes, this happened). One day, I wrote the Torchlight company a frustrated email.

This is the response I received:

Hi Willow,
I’m sorry to hear you are having a bad experience. Yes, Level K will be going through an update this summer. Finding quality spines that all line up perfectly with the schedule is not always possible. For example, some of the animals that are represented in the atlas are heavily represented on multiple continents, therefore have been placed accordingly when the spine does not line up.

This update will be free to current users. The future levels do not suffer this issue.

Warmly,
Tiffany

Obviously, an updated curriculum in the summer will not help me or my child—at that point she will be moving on in her studies. But more than that, why do the spines need to line up at all? When I create curricula, I do not look for books and try to line them up. Instead, I work backwards: what are the learning goals for the student? Choosing activities is the last thing that I would do. If the books aren’t “lining up”, the creator should probably be looking for alternatives so that the goals are achieved, rather than trying to line something up that will not work. It feels lazy and short-sighted to focus on the books rather than the goals, especially when there are so many amazing books out there in the world.

Opinions and Thoughts

In terms of the units that the author wanted to complete on various Indigenous American tribes, maybe she could have framed them in larger categories such as “Indigenous peoples of the American plains” or “Indigenous peoples of the Northeast Americas”, which would have provided more options for books (although she still would need to reorganize what she has). If there is no animal in the spine that makes cohesive sense, she could drop that book for a week, and find a book on deer, for example.

In terms of the “Socratic” questioning method, I did not find it to be particularly Socratic. The Socratic Method is an ancient form of argument that is intended to push the learner to new discovery. In a Socratic debate, the questioner would be the teacher, and they would be using questioning as a way to take the learner deeper into the subject matter and question their personal preconceived beliefs about a topic. I definitely think you can have a Socratic conversation with a 4-year-old, but I do not think that reading comprehension questions are Socratic. For example, the non-fiction question reference guide provides a script with questions such as “What was it that___________ did that was special? Did this help people? How?” These questions ask the reader to recall the story, remember who the character was, what they did, and what that action accomplished. This is a reading comprehension task—it does not ask the reader to challenge their prior knowledge or preconceived notions. Rather than supplying various scripts for reading comprehension (or maybe in addition to!), the creator could film conversations about books in the curriculum with children using the Socratic method she discusses. A few videos would be far more helpful than these scripts because the learning partner could see the process as a whole and be able to use those techniques in their own teaching.

Conclusion

The Torchlight Worldly Wisdom program has such potential. The creator had a wonderful vision and I am so sad that it was not realized. She had opportunities to integrate all the subjects. For example, she could have had the students learning about music, poetry, and science from each different country in addition to the geography and social studies she has here. I wish we could have used Torchlight all year long, but after months of rewriting and searching for books that made logical sense, I had to give up and go in a different direction.

It would be wonderful if the Torchlight creator has fixed all of these issues by the summer, but I am wary of that promise. I would not recommend that you purchase this program for your child until the author has spent a year having it tested with homeschooling students. I personally think that she ought to consider refunding it to whomever purchased it because it is largely unusable, and parents are not going to be able to use the unit for their child in the summer if they have already started it in September like we did.

The books are wonderful, though, and I highly recommend looking through the list to find new books for your 4-6 year old to read. Some highlights: The Pet Dragon, by Christopher Niemann, Zoey and Sassafras by Asia Citro, Goodnight Stories for Rebel Girls, One Green Apple by Eve Bunting, The Barefoot Book of Children by Tessa Strickland & Kate DePalma , Sun Bread by Elisa Kleven,and Lost and Found Cat by Doug Kuntz